These may seem like harsh words coming from someone who has never actually seen an entire episode from start to finish, but the whole operation drips with such cynicism that seeing ten minutes is enough to get my stomach turning and make me turn off the television to go and do something productive. After I've had a shower to stop me feeling so dirty. And taken the plug off the TV. And torn my TV license into angry little pieces to post back to the licensing people in bitter disgust.
|is this man actually Satan?|
Then there's the people who do get through. Identikit, permatanned bright young things who are just doing it for their dying grandma, whose one wish before she goes is to see her progeny writhing in a skimpy outfit to a computer generated R & B ballad. It could be any one of us picked off the street and flung to stardom, as long as we have ten years music industry experience, and ink on a contract with Simon Cowell before we put our entry in. That said, hiding the years of hard work behind every 'overnight' success is a long standing music industry tradition. My real issue with them is the way they all sound identical, chosen for their easy fit with some pre-recorded album, the marketing executive's pathetically bland idea of what music should sound like. No musician of note from the last fifty years would ever have got past the first round because they all had musical ideas that were somehow challenging to the status quo. Bob Dylan would have been slung off with the crazies in the auditions and mocked for his nasal voice. Mick Jagger might have made it as far as being voted off in the first round after a tabloid outcry about his weirdly sexual rubber-faced stage antics, especially since it was always so open that he was doing it for the groupies and cocaine and not for the approval of anyone, not even his dying grandmother. Frank Zappa? Kurt Cobain? Lou Reed? They wouldn't have got the time of day.
Then there's the manipulation of the Christmas singles chart. Once upon a time it was the home of dreadful novelty acts and Sir Cliff Richard. Now, the odd internet campaign to reclaim it aside, with four months of prime time TV advertising it's almost guaranteed to go to the X factor winner. And the thing about the novelty acts is, as bad as they often were, they were at least novel and not the horror of music-by-committee inoffensiveness that we're now subjected to year on year. So that's why you won't see me on the X factor. I have better things to do than feed this monster that has been determinedly squeezing the music industry into a plastic lifeless conformity.